The 50 Best Movies on Netflix (April 2022)

The best movies on Netflix can be hard to find, but we’re not likely to run out of great films any time soon. There’s plenty to choose from, whether you’re looking for the best action movies, the best horror films, the best comedies or the best classic movies on Netflix. We’ve updated the list for 2022 to remove great films that’ve left while highlighting underseen excellence. 



Rather than spending your time scrolling through categories, trying to track down the perfect film to watch, we’ve done our best to make it easy for you at Paste by updating our Best Movies to watch on Netflix list each week with new additions and overlooked films alike.

Here are the 50 best movies streaming on Netflix right now:


1. Lady Bird

Year: 2017

Director: Greta Gerwig

Stars: Saoirse Ronan, Laurie Metcalf, Tracy Letts, Lucas Hedges, Beanie Feldstein, Timothee Chalamet

Genre: Drama, Comedy

Rating: R

Before Christine “Lady Bird” McPherson (Saoirse Ronan)—Lady Bird is her given name, as in “[she] gave it to [her]self”—auditions for the school musical, she watches a young man belting the final notes to “Being Alive” from Stephen Sondheim’s Company. A few moments before, while in a car with her mother, she lays her head on the window wistfully and says with a sigh, “I wish I could just live through something.” Stuck in Sacramento, where she thinks there’s nothing to be offered her while paying acute attention to everything her home does have to offer, Lady Bird—and the film, written and directed by Greta Gerwig, that shares her name—has ambivalence running through her veins. What a perfect match: Stephen Sondheim and Greta Gerwig. Few filmmakers are able to capture the same kind of ambiguity and mixed feelings that involve the refusal to make up one’s mind: look to 35-year-old Bobby impulsively wanting to marry a friend, but never committing to any of his girlfriends, in Company; the “hemming and hawing” of Cinderella on the, ahem, steps of the palace; or Mrs. Lovett’s cause for pause in telling Sweeney her real motives. Lady Bird isn’t as high-concept as many of Sondheim’s works, but there’s a piercing truthfulness to the film, and arguably Gerwig’s work in general, that makes its anxieties and tenderness reverberate in the viewer’s heart with equal frequency. —Kyle Turner


2. Monty Python and the Holy Grail


Year: 1975

Directors: Terry Gilliam, Terry Jones

Stars: Graham Chapman, John Cleese, Eric Idle, Terry Jones, Connie Booth

Genre: Comedy

Rating: PG

It sucks that some of the shine has been taken off Holy Grail by its own overwhelming ubiquity. Nowadays, when we hear a “flesh wound,” a “ni!” or a “huge tracts of land,” our first thoughts are often of having full scenes repeated to us by clueless, obsessive nerds. Or, in my case, of repeating full scenes to people as a clueless, obsessive nerd. But, if you try and distance yourself from the over-saturation factor, and revisit the film after a few years, you’ll find new jokes that feel as fresh and hysterical as the ones we all know. Holy Grail is, indeed, the most densely packed comedy in the Python canon. There are so many jokes in this movie, and it’s surprising how easily we forget that, considering its reputation. If you’re truly and irreversibly burnt out from this movie, watch it again with commentary, and discover the second level of appreciation that comes from the inventiveness with which it was made. It certainly doesn’t look like a $400,000 movie, and it’s delightful to discover which of the gags (like the coconut halves) were born from a need for low-budget workarounds. The first-time co-direction from onscreen performer Terry Jones (who only sporadically directed after Python broke up) and lone American Terry Gilliam (who prolifically bent Python’s cinematic style into his own unique brand of nightmarish fantasy) moves with a surreal efficiency. —Graham Techler


3. The Irishman


Year: 2019

Director: Martin Scorsese

Stars: Robert De Niro, Al Pacino, Joe Pesci, Jesse Plemons, Anna Paquin

Genre: Crime, Drama

Rating: R

Peggy Sheeran (Lucy Gallina) watches her father, Frank (Robert De Niro), through a door left ajar as he packs his suitcase for a work trip. In go trousers and shirts, each neatly tucked and folded against the luggage’s interior. In goes the snubnose revolver, the ruthless tool of Frank’s trade. He doesn’t know his daughter’s eyes are on him; she’s constitutionally quiet, and remains so throughout most of their interaction as adults. He shuts the case. She disappears behind the door. Her judgment lingers. The scene plays out one third of the way into Martin Scorsese’s new film, The Irishman, named for Frank’s mob world sobriquet, and replays in its final shot, as Frank, old, decrepit and utterly, hopelessly alone, abandoned by his family and bereft of his gangster friends through the passage of time, sits on his nursing home bed. Maybe he’s waiting for Death, but most likely he’s waiting for Peggy (played as an adult by Anna Paquin), who disowned him and has no intention of forgiving him his sins. Peggy serves as Scorsese’s moral arbiter. She’s a harsh judge: The film takes a dim view of machismo as couched in the realm of mafiosa and mugs. When Scorsese’s principal characters aren’t scheming or paying off schemes in acts of violence, they’re throwing temper tantrums, eating ice cream or in an extreme case slap-fighting in a desperately pathetic throwdown. This scene echoes similarly pitiful scenes in Akira Kurosawa’s Drunken Angel and Rashomon: brawls between wannabe roughs afraid of brawling, but forced into it by their own bravado. The Irishman spans the 1950s to the early 2000s, the years Frank worked for the Bufalino crime family, led by Russell (Joe Pesci, out of retirement and intimidating). “Working” means murdering some people, muscling others, even blowing up a car or a building when the occasion warrants. When disengaged from gangland terrorism, he’s at home reading the paper, watching the news, dragging Peggy to the local grocer to give him a beatdown for shoving her. “I only did what you should,” the poor doomed bastard says before Frank drags him out to the street and crushes his hand on the curb. The Irishman is historical nonfiction, chronicling Sheeran’s life, and through his life the lives of the Bufalinos and their associates, particularly those who died before their time (that being most of them). It’s also a portrait of childhood cast in the shadow of dispassionate brutality, and what a young girl must do to find safety in a world defined by bloodshed. —Andy Crump

4. I Am Not Your Negro

Year: 2017

Director: Raoul Peck

Genre: Documentary

Rating: PG-13


5. A Nightmare on Elm Street

Year: 1984

Director: Wes Craven

Stars: Heather Langenkamp, Robert Englund, John Saxon, Johnny Depp, Ronee Blakley, Amanda Wyss, Nick Corri

Rating: R

Runtime: 91 minutes


6. Uncut Gems

Year: 2019

Directors: Josh Safdie, Benny Safdie

Stars: Adam Sandler, Julia Fox, Eric Bogosian

Genre: Thriller

Rating: R


7. She’s Gotta Have It

Year: 1986

Director: Spike Lee

Stars: Tracy Camila Johns, Spike Lee, John Canada Terrell, Tommy Redmond Hicks

Genre: Comedy, Romance

Rating: R


8. Full Metal Jacket

Year: 1987

Director: Stanley Kubrick

Stars: Matthew Modine, Lee Ermey, Vincent D’Onofrio, Adam Baldwin

Rating: R


9. Apocalypse Now Redux

Year: 1979

Director: Francis Ford Coppola

Stars: Martin Sheen, Marlon Brando, Robert Duvall, Dennis Hopper, Laurence Fishburne

Rating: R

Runtime: 206 minutes


10. It Follows

Year: 2015

Director: David Robert Mitchell

Stars: Maika Monroe, Keir Gilchrist, Daniel Zovatto, Jake Weary, Olivia Luccardi, Lili Sepe

Genre: Horror

Rating: R


11. Bonnie and Clyde

Year: 1967

Director: Arthur Penn

Stars: Warren Beatty, Faye Dunaway, Michael J. Pollard, Gene Hackman

Rating: R

Runtime: 111 minutes


12. A Cop Movie

Year: 2021

Director: Alonso Ruizpalacios

Rating: R

Runtime: 107 minutes


13. The Disciple


Year: 2021

Director: Chaitanya Tamhane

Stars: Aditya Modak, Arun Dravid, Sumitra Bhave

Rating: TV-MA

Runtime: 128 minutes


14. The Master


Year: 2012

Director: Paul Thomas Anderson

Stars: Joaquin Phoenix, Philip Seymour Hoffman, Amy Adams, Laura Dern

Rating: R


15. Raw


Year: 2016

Director: Julia Ducournou

Stars: Garance Marillier, Ella Rumpf, Laurent Lucas

Rating: R

Runtime: 99 minutes


16. Da 5 Bloods


Year: 2020

Director: Spike Lee

Stars: Clarke Peters, Delroy Lindo, Norman Lewis, Isiah Whitlock Jr., Chadwick Boseman, Jonathan Majors

Rating: R


17. Creep


Year: 2014

Director: Patrick Brice

Stars: Mark Duplass, Patrick Brice

Rating: R


18. The Conjuring


Year: 2013

Director: James Wan

Stars: Vera Farmiga, Patrick Wilson, Ron Livingston, Lili Taylor

Rating: R


19. Ip Man


Year: 2008

Director: Wilson Yip

Stars: Donnie Yen, Lynn Hung, Dennis To, Syun-Wong Fen, Simon Yam, Gordon Lam

Rating: R


20. The Lost Daughter


Year: 2021

Director: Maggie Gyllenhaal

Stars: Olivia Colman, Dakota Johnson, Jessie Buckley, Paul Mescal, Dagmara Dominczyk, Oliver Jackson-Cohen, Peter Sarsgaard, Ed Harris

Rating: R

Runtime: 124 minutes


21. I Lost My Body


Year: 2019

Director: Jérémy Clapin

Stars: Hakim Faris Hamza, Victoire Du Bois, Patrick d’Assumçao

Rating: TV-MA

Runtime: 81 minutes


22. Christine


Year: 2016

Director: Antonio Campos

Stars: Rebecca Hall, Michael C. Hall, Tracy Letts, Maria Dizzia, J. Smith-Cameron, John Cullum, Timothy Simons

Rating: R


23. Blame!


Year: 2017

Director: Hiroyuki Seshita

Stars: Sora Amamiya, Kana Hanazawa, Takahiro Sakurai

Rating: TV-14


24. American Gangster


Year: 2007

Director: Ridley Scott

Stars: Denzel Washington, Russell Crowe, Chiwetel Ejiofor, Cuba Gooding Jr., Josh Brolin

Rating: R

Runtime: 156 minutes


25. Starship Troopers


Year: 1997

Director: Paul Verhoeven

Stars: Casper Van Dien, Dina Meyer, Denise Richards, Jake Busey, Clancy Brown, Neil Patrick Harris

Rating: R

Runtime: 129 minutes


26. Dick Johnson Is Dead


Year: 2020

Director: Kirsten Johnson

Stars: Kirsten Johnson, Dick Johnson

Rating: PG-13


27. Tangerine


Year: 2015

Director: Sean Baker

Stars: Alla Tumanian, Mya Taylor, Karren Karagulian

Rating: R

Runtime: 87 minutes


28. Sorry to Bother You


Year: 2018

Director: Boots Riley

Stars: Lakeith Stanfield, Tessa Thompson, Armie Hammer, Stephen Yeun, Patton Oswalt, David Cross, Terry Crews, Danny Glover

Rating: R

Runtime: 105 minutes


29. Stripes


Year: 1981

Director: Ivan Reitman

Stars: Bill Murray, Harold Ramis, Warren Oates, P.J. Soles, Sean Young, John Candy, John Larroquette, Judge Reinhold

Rating: R

Runtime: 105 minutes


30. Not Another Teen Movie


Year: 2001

Director: Joel Gallen

Stars: Chris Evans, Jaime Pressly, Randy Quaid

Rating: R


31. Mirai


Year: 2018

Director: Mamoru Hosoda

Stars: Haru Kuroki, Moka Kamishiraishi, Gen Hoshino

Rating: PG


32. Shirkers


Year: 2018

Director: Sandi Tan

Rating: NR

Runtime: 96 minutes


33. His House


Year: 2020

Director: Remi Weekes

Stars: Wunmi Mosaku, Sope Dirisu, Matt Smith

Rating: NR


34. The Sparks Brothers


Year: 2021

Director: Edgar Wright

Rating: R

Runtime: 135 minutes


35. Apostle


Year: 2018

Director: Gareth Evans

Stars: Dan Stevens, Lucy Boynton, Michael Sheen

Rating: NR


36. The Other Side of the Wind


Year: 2018

Director: Orson Welles

Stars: John Huston, Peter Bogdanovich, Robert Random, Susan Strasberg, Oja Kodar

Rating: R


37. A Silent Voice


Year: 2016

Director: Naoko Yamada

Stars: Miyu Irino, Saori Hayami, Megumi Han

Rating: NR


38. Hunt for the Wilderpeople


Year: 2016

Director: Taika Waititi

Stars: Sam Neill, Julian Dennison, Rima Te Wiata, Rachel House, Oscar Kightley, Tioreore Ngatai-Melbourne, Rhys Darby

Rating: NR


39. I’m Thinking of Ending Things


Year: 2020

Director: Charlie Kaufman

Stars: Jessie Buckley, Jesse Plemons, Toni Collette, David Thewlis

Rating: R


40. Phantom Thread


Year: 2017

Director: Paul Thomas Anderson

Stars: Daniel Day-Lewis, Lesley Manville, Vicky Krieps

Rating: R


41. Roma


Year: 2014

Director: Alfonso Cuarón

Stars: Yalitza Aparicio, Marina de Tavira, Diego Cortina Autrey, Carlos Peralta

Rating: R


42. The Power of the Dog


Year: 2021

Director: Jane Campion

Stars: Benedict Cumberbatch, Kirsten Dunst, Jesse Plemons, Kodi Smit-McPhee, Thomasin McKenzie, Genevieve Lemon, Keith Carradine, Frances Conroy

Rating: R


43. ParaNorman


Year: 2012

Director: Chris Butler, Sam Fell

Stars: Kodi Smt-McPhee, Tucker Albrizzi, Anna Kendrick, Casey Affleck, Leslie Mann, Jeff Garlin

Rating: PG


44. The Mitchells vs. the Machines


Year: 2021

Director: Mike Rianda, Jeff Rowe (co-director)

Stars: Abbi Jacobson, Danny McBride, Maya Rudolph, Eric Andre, Fred Armisen, Beck Bennett, Olivia Colman

Rating: PG


45. Zoolander


Year: 2001

Director: Ben Stiller

Stars: Ben Stiller, Owen Wilson, Will Farrell, Christine Taylor

Rating: PG-13

Runtime: 89 minutes


46. Ma Rainey’s Black Bottom


Year: 2020

Director: George C. Wolfe

Stars: Viola Davis, Chadwick Boseman, Glynn Turman, Colman Domingo, Michael Potts

Rating: R


47. The Hand of God


Year: 2021

Director: Paolo Sorrentino

Stars: Filippo Scotti, Toni Servillo, Teresa Saponangelo, Marlon Joubert, Luisa Ranieri, Renato Carpentieri, Massimiliano Gallo, Betti Pedrazzi, Biagio Manna, Ciro Capano

Rating: R

Runtime: 130 minutes


48. The Body Remembers When the World Broke Open


Year: 2019

Stars: Elle-Máijá Tailfeathers, Violet Nelson, Barbara Eve Harris

Rating: NR


49. Marriage Story


Year: 2019

Director: Noah Baumbach


Stars: Scarlett Johansson, Adam Driver, Azhy Robertson, Laura Dern, Alan Alda, Ray Liotta, Julie Hagerty, Merritt Wever

Rating: R


50. Okja

Year: 2017

Director: Bong Joon-ho

Stars: Tilda Swinton, Paul Dano, An Seo Hyun, Byun Heebong, Steven Yeun, Lily Collins, Yoon Je Moon, Woo Shik Choi

Rating: NR


Okja takes more creative risks in its first five minutes than most films take over their entire span, and it doesn’t let up from there. What appears to be a sticking point for some critics and audiences, particularly Western ones, is the seemingly erratic tone, from sentiment to suspense to giddy action to whimsy to horror to whatever it is Jake Gyllenhaal is doing. But this is part and parcel with what makes Bong Joon-ho movies, well, Bong Joon-ho movies: They’re nuanced and complex, but they aren’t exactly subtle or restrained. They have attention to detail, but they are not delicate in their handling. They have multiple intentions, and they bring those intentions together to jam. They are imaginative works that craft momentum through part-counterpart alternations, and Okja is perhaps the finest example yet of the wild pendulum swing of a Bong film’s rhythmic tonality. Okja is also not a film about veganism, but it is a film that asks how we can find integrity and, above all, how we can act humanely towards other creatures, humans included. The answers Okja reaches are simple and vital, and without really speaking them it helps you hear those answers for yourself because it has asked all the right questions, and it has asked them in a way that is intensely engaging. —Chad Betz

Post a Comment

Previous Post Next Post